海外より直輸入致しますので、３〜４週間前後での出荷となります。
入荷時期により商品価格、仕様は予告無く変更される場合がございます。
オーダー後のキャンセルは受付けておりません。
予めご了承下さいませ。
Cathedrals have always appealed to the imagination. Hundreds of years of manpower have been invested in their building and it is not for nothing that today they represent imposing symbols of architecture and history. The cathedral is also a great source of inspiration for compositions, drawing on a full palette of acoustic echo effects, Gregorian melodies and organ based choral themes.
The work “Cathedrals” opens with a five tone motif using double tonguing which resonates through space. Then comes a Gregorian antiphonal theme “Salve Regina” which is heard in the euphonium and later combines with the opening motif. The quicker passage that follows is based entirely on the intervals in the motif which by now has added rhythmic variations and develops in different forms, including a fugue. The work then builds towards its first climax, from which unusual muted sounds emerge creating an atmosphere shrouded in mystery.
Gradually, more melodious fragments are added to the Gregorian antiphonal theme which develops into an expansive choral, emulating the organ and which rises above the sound mass. The work grows more powerful and brilliant in sound until it culminates in a short and explosive finale wherein elements from the whole work come together.
Remarks concerning performance:
The first part of this work seeks to imitate the acoustic effects of a cathedral. The answers to the five tone motif which come fractions seconds after one another diminuendo towards the end, in the same way as an echo in a cathedral. The answers should always be played ever more softly to obtain an optimal echo effect.
The time signature between bars 1 and 30 is 3/2. The motifs as from bar 45 should be played in the same tempo as in the beginning (of course, they are noted differently). When the tempo switches to back to presto, the motifs continue to run in the original tempo.
In the slow movement, muted cornets should seamlessly merge into the sounds of un-muted cornets. All motifs and melodies in this part should, to the greatest extent possible, melt into one another. The idea is not to have any soloistic sounding voices. Only the Gregorian chant theme, emulating the grandiose sound of an organ, may emerge above the ocean of sound (at K), building in dynamics with the rest of the orchestra.
The slow movement begins very softly and builds towards the loudest dynamic. Care should be taken that the build up is taken gradually (initially very little crescendo, then progressively more crescendo).
（メーカーＨＰより引用）
【楽譜情報】
タイトル：Catedrales /
作曲：Bert Appermont / ベルト・アッペルモント
グレード: 5
演奏時間：7分10秒
作品コード：BMP8081414
出版社：Beriato Music
発売日：2008年
【予約商品と通常商品を同時ご購入の場合】
▼ご購入商品のお届けは、全商品が揃い次第一括発送となります。
▼通常商品を至急お届け希望の場合は、通常商品と予約商品を別注文(決済後)お買い求めください。
＜お知らせ＞
▼便利な商品代引きもご利用頂けます。
代引きをご希望の場合は、代金引換をご選択下さい。（送料 + 代引き手数料）
▼代引をご利用になる場合は、メール便での発送はご利用頂けません。代引きは、コレクト宅急便扱いになります。
▼規定サイズを越える場合は適切な配送方法に振替となります。
(※メール便対応サイズの目安:CD2枚まで。アンサンブル譜1冊(B4サイズ厚さ2cmまで）
▼年末年始および大型連休、遠方地域(北海道/沖縄県および離島)は通常よりお時間を頂きます。
あらかじめご了承ください。
